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Pooleyville, the Buckinghamshire Town that Never Was

The creation of Milton Keynes began in March 1967 with the founding of the Milton Keynes Development Corporation, tasked with delivering an ambitious project; the largest ‘new town’ development in the country. However, what is less spoken about today, more than 50 years on, is the futuristic Buckinghamshire town that never was – the North Bucks New City. Informally known as ‘Pooleyville’, the 1966 plans for the new town were the brainchild of County Architect, Fred Pooley, born from the County Council’s ambition to build a city of their own. 

An article in praise of the plans for North Bucks New City, 1964
An article in praise of the plans for North Bucks New City, 1964
New County Offices under construction, c.1960s
New County Offices under construction, c.1960s, designed by county architect Fred Pooley

By the early 1960s, the need for an overspill town to relieve development pressure on the south of the county was becoming glaringly apparent. In 1962, Planning Officer Bill Berrett first came up with the proposal for a ‘North Bucks New City’, and Fred Pooley drafted a town plan.

These days, Pooley is perhaps best known locally for his divisive Brutalist tower block on Walton Street in Aylesbury, which opened in 1967 complete with the county council’s first computer. It’s somewhat disparagingly still known as ‘Pooley’s Folly’ today. Had his plans for the North Bucks New City come to fruition, Milton Keynes might look a little like a series of Pooley’s follies!

His vision was an artful, dragonfly-wing-shaped city between Bletchley and Wolverton, comprised of a series of townships each home to 5000 people. Rather than built round a network of roads, the townships would be linked together, and to the centre of the city, by the very epitome of 1960s modernity; a rate-payer funded, free-to-ride monorail.

The Observer’s architecture critic described Pooley’s plans as ‘the most adventurous and imaginative scheme in Britain’ in 1964, when the plans were up for approval by the county council, and even went as far as to decry that if this ‘city of the future’ wasn’t approved, the chance for something so bold, so modern, would never come again.

An contemporary impression of how Pooleyville would look
An contemporary impression of how Pooleyville would look
Plans for North Bucks New City, 'Pooleyville'
Plans for North Bucks New City, ‘Pooleyville’

But was the plan for the monorail so modern?

Despite often being characterised as futuristic, the monorail was invented in the nineteenth century, in Germany.  Often elevated, and operating on a single track, mid-20th century Britain viewed it as a brilliant alternative to the existing railway network, avoiding many of its traditional counterpart’s pitfalls: unsightly cables, space consumption and competition with pedestrians and drivers, pollution.

An impression of Pooleyville's monorail by planning officer Bill Berrett
An impression of Pooleyville’s monorail by planning officer Bill Berrett

However, the rise of the motorcar meant that monorail systems never really got off the ground, as it were, outside of the odd example in the United States. In a climate that was seeing the shrinking of the UK’s railway network, it was impossible to justify new rail infrastructure, regardless of how innovative.

Ultimately, the County Council couldn’t fund the construction of Pooleyville anyway, and central government appointed Sir Jock Campbell to chair the new Milton Keynes Development Corporation (MKDC) in 1967.  Pooley was appointed a local representative to advise MKDC, and still hoped to integrate some of his ideas into the plans.  However, the corporation preferred a layout which put the car at the heart of city planning.  Pooley didn’t give up easily, but was eventually forced to accept the failure of his plans, and the grid square layout the city has today is the result of the victory of MKDC’s vision over that of Pooley.

‘One of nature’s gentlemen’

In his long tenure at the county council between 1953 and 1974 Fred Pooley oversaw a number of important projects in Buckinghamshire, including several libraries, and was praised by critic Ian Nairn as ‘a remarkable man, completely free from pretension or arrogance…’.

Fred Pooley, county architect for Buckinghamshire, 1953-1974
Fred Pooley, county architect for Buckinghamshire, 1953-1974

He left the council in 1974 to work for the Greater London Council, where he was involved in the development of London Docklands and Thameslink. He was President of the Royal Institute of British Architects (RIBA) between 1973 and 1975, and, on his death at the age of 81, was remembered by the Architects’ Journal in 1998 as being ‘Liked by almost everyone who worked with him, [and] a quiet-voiced pragmatist – but one whose leaps of imagination could surprise’ – perhaps they still do.

Contemporary model design for New County Offices, Walton St, opened 1967
Contemporary model design for New County Offices, Walton St, opened 1967
Light and airy interiors of the new library complex on the tower block, c.1967
Light and airy interiors of the new library complex on the tower block, c.1967

Learn more about the early vision for Milton Keynes in Guy Ortolano’s podcast, Building Milton Keynes, based on the research for his book, Thatcher’s Progress.

Categories
Fringe Read

Virtual Gallery: The Paintings held at the Judges Lodgings

As a local site of historical interest, Buckinghamshire Council has opened the doors to the Judges Lodgings for public tours every September, to showcase its Victorian architecture, furniture, and art. With many public buildings still closed or with limited access, the Virtual History Festival is proud to present a virtual gallery of the paintings depicting local dignitaries and Buckinghamshire scenes, all held at the Judges Lodgings.

From the first female chairman of the County Council, to the impressionist works of ‘Manchester’s Monet’, enjoy this virtual tour from the comfort of your own home!

Portrait Gillian Miscampbell OBE
Gillian Miscampbell OBE (b.1935), by James Orr, first female chairman of Buckinghamshire County Council (1989-1993). Her portrait hangs above the doorway to the Members’ Lounge.
Painting Aylesbury from Court Farm Fields by N Whittock
Aylesbury from Court Farm Fields by N. Whittock, c1840. The County Hall is the red brick building on the upper right hand side.
Portrait, Sir Henry Aubrey-Fletcher 6th Baronet
Sir Henry Aubrey-Fletcher, 6th Baronet (1889-1969) Lord Lieutenant of Buckinghamshire (1954-1961) by Norman Hepple. Sir Henry may have been better known at the time by his pen name, Henry Wade, as a leading crime fiction author and founding member of the Detection Club. His portrait hangs in the Small Dining Room.
Painting Heath Pond Leighton Buzzard by Wynford Dewhurst

Heath Pond, Leighton Buzzard, by Wynford Dewhurst (1864-1941). While he was known as ‘Manhester’s Monet’, Dewhurst lived in Buckinghamshire for a time in the early 20th Century, and was a Member of the County Council from 1907 to 1910. He gifted this painting to the council, it now hangs in the Small Dining Room.
Portait Blue Boy after Gainsborough
An impressive reproduction of Thomas Gainsborough’s The Blue Boy (1770) from the late 19th century, by R.C. Saunders. It hangs over one of the fireplaces in the Large Dining Room.
Painting of Hunting Party Attacked by Wolves, Rubens

Hunting Party Attacked by Wolves, reproduction after the studio of Rubens. This large artwork is hung on the staircase to the first floor.
Portrait JT Ireland
James T. Ireland (1915-2006), by Romeo di Girolamo (b.1939). Ireland was chairman of Buckinghamshire County Council between 1973-1981 – this extraordinary painting is influenced by his role in the founding of Milton Keynes, and parts of Buckinghamshire are identifiable in the painting. It hangs in the landing on the first floor, along with many other former chairman portraits.
Portrait 3rd Early Bridgwater
An exciting addition to the portrait collection in 2014 was this oil on copper of
John Egerton, 3rd Earl of Bridgwater (1646-1701), Member of Parliament for Buckinghamshire in the 1680s, and Lord Lieutenant for the county between 1686-1687 and 1689-1701. This diminutive portrait, thought to be after Sir Godfrey Kneller (1646-1723), is only a few inches tall, and hangs by the doorway to the Large Dining Room, in the Members’ Lounge.
Painting, Cattle Scene
Cattle Scene, by Johann Heinrich Roos (1631-1685). This painting hangs on the staircase to the first floor.
Portrait 1st Marquess Buckingham
George Grenville Nugent Temple (1753-1813) 1st Marquess of Buckingham, of Stowe House, after Joshua Reynolds (1723–1792). Also 2nd Earl Temple, he was Lord Lieutenant of Buckinghamshire between 1782-1813. His portrait sits adjacent to that of his great-grandson, 3nd Duke of Buckingham and Chandos, on the wall of the Large Dining Room.
Portrait 3rd Duke Buckingham and Chandos
Richard Temple-Nugent-Brydges-Chandos-Grenville, 3rd Duke of Buckingham and Chandos (1823-1889), Lord Lieutenant for Buckinghamshire 1868-1889 and alderman for the new County Council, though he died prematurely before the first council meeting. The 3rd Duke saved Stowe from ruin after the exploits of his father, the 2nd Duke, and was well respected by his peers. His death was sadly noted in the minute book for the first council meeting in April 1889.
Portrait Henry William Cripps Esq
Henry William Cripps, Esq. (1815–1899), QC, JP by William Carter (1863–1939). Cripps was the first chairman of the County Council from 1889-1897. One of two portraits of Cripps to be found on the first floor landing, this was the first of a long series of formal portraits of council chairmen. There were only 13 chairmen in the first 112 years of the council, then in 2001 the role became a one year tenure.